The Digital Painting Process - Revision history

SolarBot: /* top */replaced: ''Bart Simpson's Pal, Milhouse #1'' → {{Cmc|Bart Simpson's Pal, Milhouse|1}}

2022-06-09T12:40:59Z

‎top: replaced: ''Bart Simpson's Pal, Milhouse #1'' → {{Cmc|Bart Simpson's Pal, Milhouse|1}}

Solar Dragon at 00:09, February 21, 2021

2021-02-21T00:09:59Z

SolarBot: /* References */replaced: → {{Reflist}}

2012-11-10T14:57:58Z

‎References: replaced: <references/> → {{Reflist}}

WebkinzMania at 18:07, May 20, 2012

2012-05-20T18:07:20Z

Phinbart: /* External links */

2012-05-13T14:21:07Z

‎External links

Phinbart: /* Stage Three */

2012-05-13T14:19:44Z

‎Stage Three

Cook879 at 14:13, May 13, 2012

2012-05-13T14:13:43Z

Cook879: /* Stage One */

2012-05-13T14:06:06Z

‎Stage One

Cook879: /* Stage One */

2012-05-13T14:04:18Z

‎Stage One

Cook879 at 13:59, May 13, 2012

2012-05-13T13:59:43Z

@@ Line 1: / Line 1: @@
 [[File:The Digital Painting Process.png|250px|right|thumb|Before and after]]
-'''The Digital Painting Process''' is a process several ''[[Simpsons Comics]]'' posters go through, from the set up to the finished product. This follows the Evolution of an Illustration, which is where the product is drawn as pencil art. A walkthrough of this process was released on the ''Bongo Blog'' in April and May [[2012]] for a pin-up released with ''[[Bart Simpson's Pal, Milhouse 1|Bart Simpson's Pal, Milhouse #1]]''.
+'''The Digital Painting Process''' is a process several ''[[Simpsons Comics]]'' posters go through, from the set up to the finished product. This follows the Evolution of an Illustration, which is where the product is drawn as pencil art. A walkthrough of this process was released on the ''Bongo Blog'' in April and May [[2012]] for a pin-up released with {{Cmc|Bart Simpson's Pal, Milhouse|1}}.
 == Stage One ==

@@ Line 1: / Line 1: @@
 [[File:The Digital Painting Process.png|250px|right|thumb|Before and after]]
-'''The Digital Painting Process''' is a process several ''[[Simpsons Comics]]'' posters go through, from the set up to the finished product. This follows the [[Evolution of an Illustration]], which is where the product is drawn as pencil art. A walkthrough of this process was released on the ''[[Bongo Blog]]'' in April and May [[2012]] for a pin-up released with ''[[Bart Simpson's Pal, Milhouse 1|Bart Simpson's Pal, Milhouse #1]]''.
+'''The Digital Painting Process''' is a process several ''[[Simpsons Comics]]'' posters go through, from the set up to the finished product. This follows the Evolution of an Illustration, which is where the product is drawn as pencil art. A walkthrough of this process was released on the ''Bongo Blog'' in April and May [[2012]] for a pin-up released with ''[[Bart Simpson's Pal, Milhouse 1|Bart Simpson's Pal, Milhouse #1]]''.
 == Stage One ==

@@ Line 31: / Line 31: @@
 == References ==
-<references/>
+{{Reflist}}
 == External links ==

← Older revision		Revision as of 18:07, May 20, 2012
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−	~~{{Orphan\|date=May 2012}}~~
	[[File:The Digital Painting Process.png\|250px\|right\|thumb\|Before and after]]		[[File:The Digital Painting Process.png\|250px\|right\|thumb\|Before and after]]
	'''The Digital Painting Process''' is a process several ''[[Simpsons Comics]]'' posters go through, from the set up to the finished product. This follows the [[Evolution of an Illustration]], which is where the product is drawn as pencil art. A walkthrough of this process was released on the ''[[Bongo Blog]]'' in April and May [[2012]] for a pin-up released with ''[[Bart Simpson's Pal, Milhouse 1\|Bart Simpson's Pal, Milhouse #1]]''.		'''The Digital Painting Process''' is a process several ''[[Simpsons Comics]]'' posters go through, from the set up to the finished product. This follows the [[Evolution of an Illustration]], which is where the product is drawn as pencil art. A walkthrough of this process was released on the ''[[Bongo Blog]]'' in April and May [[2012]] for a pin-up released with ''[[Bart Simpson's Pal, Milhouse 1\|Bart Simpson's Pal, Milhouse #1]]''.

← Older revision		Revision as of 14:21, May 13, 2012
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	{{DEFAULTSORT:Digital Painting Process, The}}		{{DEFAULTSORT:Digital Painting Process, The}}
−	[[Category:~~Simpsons~~ Comics]]	+	[[Category:Bongo Comics]]

@@ Line 10: / Line 10: @@
 == Stage Three ==
-The colors are picked and rendered. In the ''Milhouse'' pin-up, note the multiple levels of rich shading added to the moons. Also, the red-hot highlight on the edge of the cliff helps tie in the fiery backdrop.<ref>[http://www.bongocomics.com/blog/05/03/2012/digital-painting-process-stage-three Bongo Blog - The Digital Painting Process - Stage Three]</ref>
+The colors are picked and rendered. In the ''Milhouse #1'' pin-up, note the multiple levels of rich shading added to the moons. Also, the red-hot highlight on the edge of the cliff helps tie in the fiery backdrop.<ref>[http://www.bongocomics.com/blog/05/03/2012/digital-painting-process-stage-three Bongo Blog - The Digital Painting Process - Stage Three]</ref>
 == Stage Four ==

@@ Line 4: / Line 4: @@
 == Stage One ==
-[[File:The Digital Painting Process Stage One.png|250px|right|thumb|Stage One]]
+The pencil art is scanned into a computer, and a file with multiple layers is created, so that one part of the image could be painted without the other parts being affected. There is a layer for each element of the pin-up, with each having a temporary color to distinguish it from the others. This allows to separate the line art on to its own layer, so that none of it would be lost in the coloring process.<ref>[http://www.bongocomics.com/blog/05/03/2012/digital-painting-process-stage-one Bongo Blog - The Digital Painting Process - Stage One]</ref>
 == Stage Two ==
-The background color(s) are chosen, in the ''Milhouse #1'' case, a fiery palete. In the foreground, the placement of light and shadow begins to establish. For example, in the [http://www.bongocomics.com/sites/default/files/imagecache/385x593/blog_image/C_0.png image] of the pin-up, the Ogre in the lower right would have the front of his body hit by light, and the back of his body would be in shadow. The hordes of monsters in the background would remain completely silhouetted.
+The background color(s) are chosen, in the ''Milhouse #1'' case, a fiery palete. In the foreground, the placement of light and shadow begins to establish. In the example (seen in the gallery below), the Ogre in the lower right would have the front of his body hit by light, and the back of his body would be in shadow. The hordes of monsters in the background would remain completely silhouetted.<ref>[http://www.bongocomics.com/blog/05/03/2012/digital-painting-process-stage-two Bongo Blog - The Digital Painting Process - Stage Two]</ref>
-==Stage Three==
-The colors are picked and rendered. In [http://www.bongocomics.com/sites/default/files/imagecache/385x593/blog_image/C_0.png image] of the pin-up, note the multiple levels of rich shading added to the moons. Also, the red-hot highlight on the edge of the cliff helps tie in the fiery backdrop.
+== Stage Three ==
-==Stage Four==
+The colors are picked and rendered. In the ''Milhouse'' pin-up, note the multiple levels of rich shading added to the moons. Also, the red-hot highlight on the edge of the cliff helps tie in the fiery backdrop.<ref>[http://www.bongocomics.com/blog/05/03/2012/digital-painting-process-stage-three Bongo Blog - The Digital Painting Process - Stage Three]</ref>
 The rendering is nearly completed, and stage four depicts the colors with the line art layer turned off.
-==Stage Five==
+== Stage Four ==
-Line work is put down to accentuate the details, and more depth can be added to the piece (e.g. foggy mist), which can accentuate the mood of the colors.
+The rendering is nearly completed, and stage four depicts the colors with the line art layer turned off.<ref>[http://www.bongocomics.com/blog/05/03/2012/digital-painting-process-stage-four Bongo Blog - The Digital Painting Process - Stage Four]</ref>
 ==Stage Six==
-Final details are added (e.g. Milhouse in bed with [[Puppy Goo-Goo]], and he juxtaposition of the two styles helps contrast Milhouse's fantasy life from his real life.) Finally, the Matt Groening signature is added and the product is completed.
+== Stage Five ==
-==External links==
+Line work is put down to accentuate the details, and more depth can be added to the piece (e.g. foggy mist), which can accentuate the mood of the colors.<ref>[http://www.bongocomics.com/blog/05/03/2012/digital-painting-process-stage-five Bongo Blog - The Digital Painting Process - Stage Five]</ref>
 *[http://www.bongocomics.com/blog/filter/category/Milhouse_Pin_Up_2012 Blog posts on the Bongo Blog along with posts about Evolution of an Illustration]
 [[Category:Simpsons Comics]]

← Older revision		Revision as of 14:04, May 13, 2012
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	== Stage One ==		== Stage One ==
		+	[[File:The Digital Painting Process Stage One.png\|250px\|right]]
	The pencil art is scanned into a computer, and a file with multiple layers is created, so that one part of the image could be painted without the other parts being affected. There is a layer for each element of the pin-up, with each having a temporary color to distinguish it from the others. This allows to separate the line art on to its own layer, so that none of it would be lost in the coloring process.		The pencil art is scanned into a computer, and a file with multiple layers is created, so that one part of the image could be painted without the other parts being affected. There is a layer for each element of the pin-up, with each having a temporary color to distinguish it from the others. This allows to separate the line art on to its own layer, so that none of it would be lost in the coloring process.