MoneyBart/Gags - Revision history

Loco87 at 15:22, December 11, 2019

2019-12-11T15:22:12Z

Homer to the Max: Homer to the Max moved page MoneyBART/Gags to MoneyBart/Gags: Al Jean confirmed this

2014-12-03T11:53:28Z

Homer to the Max moved page MoneyBART/Gags to MoneyBart/Gags: Al Jean confirmed this

Mythigator: Replaced content with "{{TabG}} {{EpisodePrevNextGag|Loan-a Lisa|Treehouse of Horror XXI}} == Couch gag == {{main|Banksy couch gag}} {{Season 22|gag}}"

2013-12-28T16:11:23Z

Replaced content with "{{TabG}} {{EpisodePrevNextGag|Loan-a Lisa|Treehouse of Horror XXI}} == Couch gag == {{main|Banksy couch gag}} {{Season 22|gag}}"

AleWi: Created page with "{{TabG}} {{EpisodePrevNextGag|Loan-a Lisa|Treehouse of Horror XXI}} {{Couch Gag |name=Banksy couch gag |image= |duration= 1:03 |appearance="MoneyBART" }} The '''Bansky c..."

2013-12-25T17:29:06Z

Created page with "{{TabG}} {{EpisodePrevNextGag|Loan-a Lisa|Treehouse of Horror XXI}} {{Couch Gag |name=Banksy couch gag |image= |duration= 1:03 |appearance="MoneyBART" }} The '''Bansky c..."

New page

{{TabG}}
{{EpisodePrevNextGag|Loan-a Lisa|Treehouse of Horror XXI}}

{{Couch Gag
|name=Banksy couch gag
|image=
|duration= 1:03
|appearance="[[MoneyBART]]"
}}

The '''Bansky couch gag''' was a [[couch gag]] created by British graffiti artist and activist [[Banksy]]. It shows a group of tired and sickly workers making [[The Simpsons|Simpsons]] merchandise at a [[20th Century Fox]] studio.

== Plot ==
[[File:BillboardBanksyGag.jpg|thumb|The opening of the couch gag.]]
[[File:Fox.jpg|right|thumb|The 20th Century Fox studio as seen on the couch gag]]
After the Simpsons arrive at home, the camera cuts to a shot of them on the couch, then zooms out to show this as a picture hanging on the wall of a fictional overseas Asian animation and merchandise sweatshop. The animation color quickly becomes drab and gray, and the music becomes dramatic and similar to that of Schindler's List.

A large group of tired and sickly artists draw animation cels for The Simpsons amongst piles of human bones and toxic waste, and a female artist hands a barefoot child employee an animation cel, which he washes in a vat of biohazardous fluid.

The camera tracks down to a lower floor on the building, where small kittens are thrown into a woodchipper-type machine to provide the filling for Bart Simpson plush dolls. The toys are then placed in to a cart pulled by a panda which is driven by a man with a whip. A man shipping boxes with The Simpsons logo on the side uses the tongue from a decapitated dolphin head to fasten shut the packages. Another employee uses the horn of a sickly unicorn to smash the holes in the center of The Simpsons DVDs. The shot zooms out to reveal that sweatshop is contained within a grim version of the 20th Century Fox logo, surrounded by barbed wire, searchlights, and a watchtower. The entire scene is running on the Simpsons' TV set.

== Character Appearances ==
<gallery>
File:No image.png|20th Century Fox workers
File:Bart Simpson.png|[[Bart Simpson]]
File:Homer Simpson.png|[[Homer Simpson]]
File:Lisa Simpson.png|[[Lisa Simpson]]
File:Maggie Simpson.png|[[Maggie Simpson]]
File:Marge Simpson.png|[[Marge Simpson]]
</gallery>

== Production ==
Banksy is credited with creating the opening titles and [[couch gag]] for this episode, in what amounted to the first time that an artist has been invited to storyboard the show. Executive producer [[Al Jean]] first took note of Banksy after seeing his 2010 film ''Exit Through the Gift Shop''. According to Jean, "The concept in my mind was, 'What if this graffiti artist came in and tagged our main titles?'" ''Simpsons'' casting director [[Bonnie Pietila]] was able to contact the artist through the film's producers, and asked if he would be interested in writing a main title for the show. Jean said Banksy "sent back boards for pretty much what you saw." Series creator [[Matt Groening]] gave the idea his blessing, and helped try to make the sequence as close to Banksy's original storyboards as possible. Fox's standards and practices department demanded a handful of changes, but, according to Jean, "95 percent of it is just the way he wanted."<ref name="nyt">{{Cite web|publisher=New York Times|url=http://artsbeat.blogs.nytimes.com/2010/10/11/the-simpsons-explains-its-button-pushing-banksy-opening/ |title=‘The Simpsons’ Explains Its Button-Pushing Banksy Opening|author=Itzkoff, Dave|date=October 11, 2010|accessdate=2010-10-11}}</ref>
Banksy told ''The Guardian'' that his opening sequence was influenced by ''The Simpsons'' long-running use of animation studios in Seoul, South Korea. The newspaper also reported that the creation of the sequence "is said to have been one of the most closely guarded secrets in US television – comparable to the concealment of Banksy's own identity."<ref name="guardian">{{Cite web|url=http://www.guardian.co.uk/media/2010/oct/11/banksy-the-simpsons-bart |title=Banksy takes Simpsons into sweatshop|publisher=The Guardian|date=October 11, 2010|author=Halliday, Josh|accessdate=2010-10-11}}</ref>

=== Response ===
BBC News reported that "According to [Banksy], his storyboard led to delays, disputes over broadcast standards and a threatened walk out by the animation department." However, Al Jean disputed this, saying " [The animation department] didn't walk out. Obviously they didn't. We've depicted the conditions in a fanciful light before." Commenting on hiring Banksy to create the titles, Jean joked, "This is what you get when you outsource." Although conceding to the fact that ''The Simpsons'' is largely animated in South Korea, Jean went on to state that the scenes shown in titles are "very fanciful, far-fetched. None of the things he depicts are true. That statement should be self-evident, but I will emphatically state it."<ref name="nyt" />

Colby Hall of ''Mediaite'' called the sequence "a jaw-dropping critique of global corporate licensing, worker exploitation and over-the-top dreariness of how western media companies (in this case, 20th Century Fox) takes advantage of outsourced labor in developing countries." Melissa Bell of ''The Washington Post'' felt Banksy's titles had helped revive ''The Simpsons''' "edge", but after "the jarring opening, the show went back to its regular routine of guest cameos, self-referential jokes and tangential story lines." Marlow Riley of MTV wrote "as satire, [the opening is] a bit over-the-top. What is shocking is that Fox ran Banksy's ballsy critique of outsourcing, ''The Simpsons'', and the standards and human rights conditions that people in first world nations accept. It's uncomfortable and dark, and not what's expected from the modern ''Simpsons'', which mainly consists of 'Homer hurts himself' jokes."
==References==
{{Reflist}}
{{Season 22|gag}}

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 {{TabG}}
-{{EpisodePrevNextGag|Loan-a Lisa|Treehouse of Horror XXI}}
+{{EpisodePrevNextGag|Loan-a Lisa|Lisa Simpson, This Isn't Your Life}}
 == Couch gag ==

← Older revision	Revision as of 11:53, December 3, 2014
(No difference)

@@ Line 2: / Line 2: @@
 {{EpisodePrevNextGag|Loan-a Lisa|Treehouse of Horror XXI}}
-{{Couch Gag
+== Couch gag ==
-|name=Banksy couch gag
+{{main|Banksy couch gag}}
 {{Season 22|gag}}